The 2015 Grip List

grip-list-2015-header CBJ collected votes from North American routesetters for our second annual survey of the most popular climbing hold companies. The result is the 2015 Grip List. Without further ado, starting at number ten: Click or scroll down to see the awardees: AtomikClimb-iteGripsElementEnixKilterKingdomSo iLLTeknikThrive  

10. eGrips

Since 1996 eGrips has been producing classic shapes that have transcended the merely functional to become true pieces of artwork. eGrips shaper, Ty Foose, not only changed the way climbers move on plastic he also changed the way shapers morph foam blanks into textured hand and foot grips. With his eye for meticulous detail and originality, Foose and his team of shapers have created some of the most landmark shapes since the Pusher Boss. The iconic shapes of the Bubble Wrap and Myorcan have become so indispensable it’s sad to think of a time before they existed. A whole book could be written about eGrips and what they have brought to the indoor climbing scene and the Grip List voters agreed by voting them into 2nd place for All-Time Favorite hold company. Voters described eGrips as, “Timeless”, “Classic”, “Ground breaking”, and “A necessity for any gym”. EGrips doesn’t show any sign of slowing down and they continue to be as innovative as they have always been. egrips_bubble_notext

9. Atomik

Training for climbing is starting to take off in American climbing gyms and Atomik, which has been at the forefront of training specific holds since 2002, continues to provide the tools that climbers need to improve. Their release of the Bombs was revolutionary and is now considered mandatory training equipment for any respectable climbing gym (and is now copied by many of the top hold makers). They’ve become known for their training holds but Atomik has one of the more diverse hold selections on the market and is a one-stop shop for reasonably priced basic shapes that last. With their in-house pouring and shaping they can quickly bring to market any idea and whim they desire which makes for a unique line of holds. Peter George, setter at Texas Rock Gym, sums up Atomik by saying, “Simple affordable holds that are a pleasure to set with and a pleasure to climb on” atomik-pipes

8. So iLL

The Chancellor brothers changed the way setters do their job when they brought their unique and distinctive style to the world of climbing holds. No other hold company has had more impact on the setting scene than So iLL. They were the first, and still one of the few, companies to embrace the indoor climbing world as a thing unto itself that should be respected as such. Kevin Goradia, Owner and setter at Crux Climbing in Austin agrees and makes a nod to artistic shaping genius Jason Kehl, by saying, “Jason’s shapes really pushed the hold industry forward.” So iLL isn’t stopping at only selling climbing holds. They’ve branched out to include chalk, climbing ropes, crash pads, bags, and even quick draws for climbing gyms. They are truly attempting to become the single source for all your indoor climbing needs. soill-Fungiholic

7. Enix

“Their Cobbles, Medium Slopers, and new crimp sets have created some awesome climbs,” said Aubrey Wingo, a routesetter at Boulder Rock Club. “I also have to add that their customer services has been nothing but astounding,” Wingo concluded. Enix came out of the 2014 hold boom and has been making inroads by producing what Jonathan Marvel, setter at Focus Climbing Center, calls, “Simple, functional designs.” He added, along with many other setters: “Great texture, solid holds. Best pinches and slopers out there.” Nick Steele, a routesetter at Vertical World, echoed the thoughts of many voting setters by saying that Enix, “Advances the art of indoor bouldering and setting.” enix-foam

6. Thrive

Thrive is another one of the companies to successfully make it out of the fracas of last year’s climbing company boom. Dropping one spot on the Grip List from last year, Thrive continues to pump out quality shapes with what one setter called, “Superior quality polyurethane that holds up to the demands of a high traffic climbing gym.” Setters also made numerous comments about the originality of the the Thrive line noting that their holds are, “…not derivative of any other company”; “…good selection of holds that are not similar to other companies” and “…different from all other companies … a must for every gym.” thrive-moonpie

5. Climb-It

Making a first appearance on the Grip List was the So Cal-based, Climb-It Holds. With a urethane upgrade and new shapes from Louie Anderson, Climb-It started a comeback in 2014 that setters are taking notice of. Most commenters noted Climb-It’s realistic shapes and textures that “… are realistic and relevant to what you would find shaped by Mother Nature.” Dave Hamilton, Director of Operations at Climb-It, agrees and wants everybody to know that, “we are better than ever!” climbit-sandstone

4. Element

element-starterkit Element received the most votes from Gym Managers and it’s easy to see why. According to this year’s voters, EC is delivering on what the owner, David Filkins describes as their “commitment to quality, customer service, fast shipping times, no color charges, and overall awesomeness.” In fact, the most common praise we heard was for their excellent customer relations. One voter gushed: “Great service. Amazing service. Most greatest amazing service.” Storm Crane of Climb Upstate commented, “They truly support climbing gyms with amazing customer service and comp sponsorships.” Several others praised Element for the ease of ordering holds through their website. Value was another factor that earned Element votes. “The price-point that Element provides can be pretty sensational. Gyms get 30% off year-round, but once every few months, EC has a sale for everyone that ranges from 35-40% off of all holds. Workhorse holds for sequence-dependent routes like their Isotopes set can come in at a bit over $2 a hold during these sales, which is a steal for a gym that has 30 or so 65-foot routes to keep up with,” said Matthew West, a routesetter at Upper Limits in Bloomington IL. A good price point doesn’t mean they are skimping on quality. “For the cost, you cannot get better variety and texture,” commented Thomas Bick of the Parkway School District. Another routesetter said Element offers “…consistent quality holds delivered for a decent price.” Element’s custom urethane earned praise for its durability and well-designed texture that setters like for its balance of grip and skin-friendliness. Element combines these attributes with a broad portfolio of creative shapes. Matt Salzman of the New Jersey Rock Gym said, “Element makes versatile holds which are durable and pleasing to climb on. The members of the gym should be attracted to the new holds as soon as they are put up on the wall, Element holds do that.” Charles Curry of The Ledge at Pacific Health Club summed up many voters sentiments about Element with his assessment: “Value, quality, customer service.”

3. Kilter

kilter-kaiju This Boulder-based grip maker made a huge splash when they came on the scene in 2013, taking the Grip List’s top honors last year. Ian Powell, the artist and iconoclast behind Kilter is renowned for his artistic ability to create seemingly simple yet complex shapes that allow setters a freedom they didn’t have before. Last year Kilter introduced the world to a full-blooded line of holds from feet to jugs. This year the team at Kilter stepped up their game and blew the minds of setters by releasing the Kaiju line. These holds, named after fictional Japanese creatures that, according to Wikipedia, “Usually attack a major city or engage another monster in battle.” These Kaiju holds, like the monsters they’re named after will, “play the roles of hero, villain, and force of nature”. Head Setter at The Edge Rock Gym, Aaron Davis, had this to say after climbing on the Teagan Kaiju and the Winter Kaiju holds: “I have finally experienced what the buzz about Kilter is all about. Those two sets alone were unlike anything I had climbed on before,” he said. “There’s not a set out there that is truly like them. Both sets offer comfort, functionality, shock value, endless possibilities of incredibly fun movement.” Even hold shapers from other companies can’t help but admire the creativity of the man behind Kilter. “Ian ‘MF’ Powell is the best shaper in the game,” said Peter Juhl, shaper and owner of Urban Plastic.

2. Teknik

teknik-bigtallslopers Coming in at second place on the Grip List is the venerable hold maker, Teknik. This Canadian hold company has been producing climbing holds since 1999, and in that time they have become, for many setters, the standard bearer for what climbing holds should look like. Chris Bersbach, Head setter at SLO Op Climbing commented, “Teknik’s shapes are the baseline against which I judge other hold companies. I could set a whole gym using only Teknik holds, and I definitely cannot say that about any other company out there today.” From its beginning, Teknik has focused on providing clean and simple shapes. You won’t find real rock texture in any of their 128 sets of holds. What you will find is smooth shapes that have become the go-to-holds for route setters around the world. “The simplicity, aesthetics and ergonomics of these holds is unmatched,” said Blake Green, Head setter at Climb Nashville. “If good routesetting is effectively creating something that people read to move up the wall, then these holds are like having perfect handwriting.” In addition taking silver as this year’s favorite hold company, Teknik was voted as routesetters’ All Time Favorite hold company by a stunning margin, taking in three times as many votes as the runner up. This may not come as much of a surprise since Teknik has been producing ultra classic shapes for 16 years. Seth and Zoë Johnston have shaped nearly every hold in the Teknik line. They do not regularly hire out their shaping like other grip makers, and even though many of their shapes are basic in nature, they are rarely copied by other shapers. Whether this is out of respect or a reality that no one can improve upon the shape is up for debate. What is known is that setters can’t get enough of Teknik. “I love pretty much every hold they make. There’s no other hold company I can say that about,” said Keith Morton, Setter and Manager at Peak Experiences.

1. Kingdom

kingdom-lovehandles When we asked the setters of North America what holds they like most in 2014, their answer was, unequivocally, Kingdom. Kingdom Climbing came on the scene last year with “holds that pretty much blew everyone minds,” said one voter. They made their debut by actualizing an idea many setters have dreamed of: a routesetting competition. This took the form of the wildly popular Kingdom Games which served double duty as marketing stunt and community gathering. But it wasn’t marketing stunts that got the attention of routesetters; it was their bold and creative shapes along with some of the largest grips on the market. Many of their shapes are absolute originals like their full line of Dragon Balls and Chickens Heads, which received frequent praise from setters. Their Wafer set also received many mentions for the line’s aesthetics and usability. Mark Melendez, Head setter at Garden State Rocks in Morganville, NJ said of Kingdom, “Their holds set themselves. If you [have] ever see holds on the wall that Kingdom produced, you just have to climb on it. They’re fun to set with and fun to climb on. I think that’s the ultimate goal, that they’re enticing for the climber as well as the routesetter.” Mark Mercer, Head setter at Aiguille Rock Gym in Orlando Florida agrees. “For a new company, their intro line of holds rivals most companies that have been around for years,” he said. Another winning feature of Kingdom was their extensive themes. A number of their shapes, like the Dragon Balls, come in what many setters called “families” which are made up of up to 32 similar shapes. Anthony Hedberg, a Setter and General Manager at Momentum Climbing commented, “Most hold companies just make 5 to 8 holds in a ‘family’ meaning you will have to use duplicate holds on most problems, whereas Kingdom has made enough for an entire route, so you never see the same hold twice.” Overall, setters just love the shapes. “The shapes are really versatile, visually striking, ergonomic, durable, and most importantly fun to climb on,” summed up Brian Sweeney routesetter and Manager of Basecamp at the Whitney Peak Hotel. The newly formed Kingdom Climbing brand received honorable mention on last year’s Grip List. At that time we speculated that “The Kingdom team is now stronger and has a very good shot at blowing the roof off of gyms.” It seems Kingdom was not only ready to blow off the roof, they were ready to take on the entire industry.

From Lexington: Wall Design Part II

from-lexington-6 This is the sixth installment in our From Lexington series that chronicles the journey of starting a climbing gym. By Chris Shotwell The very first thing we did when we set out to open a gym was to start recalling the natural features we had encountered outside that were both unique and lent themselves to fluid movement. We combed through guidebooks from all over the world, peppered the pages with sticky notes, and cruised the web for more information. The Facebook messenger thread we used to share design ideas is comically long; hundreds of links are all piled up for quick reference. Our goal was to create a space that communicated a number of different concepts in a very connected way.

The Layout

After we figured out the general feel and aesthetic we desired in our facility, we kicked off a competitive bidding process. We contacted several wall companies, to give us an estimate of the climbing space and layout. The initial response provided us with a starting point to discuss matters of taste, layout expectations, and overall flow of the facility. Some companies answered with full fledged design concepts, but Martin Sharkov, from Walltopia opened with a blank slate sketch.
Blank Slate Sketch
Blank Slate Sketch
As might be expected, the original design was a far cry from what we had envisioned and included an arch feature. An arch is often suggested to add wall surface and as a supportive structure for overhanging, large scale features. However, in our experience climbing arches have never left us with a positive impression. Routes often intersect, the lower-offs are typically in high traffic areas, and we find it can cause gyms to seem cramped. The arch was out of the question, whether in the roped climbing area or the bouldering area. We instead proposed a U-shaped roped climbing zone with cleaner sight lines. We liked the concept of building a little eddy into the design for a kids’ sector, and had considered various ways to accomplish this already. We also needed more linear bouldering space since we wanted to mimic World Cup style features as well as many of the features we saw in various foreign gyms. We responded with a major layout update and moved forward into a Sketch Up model.
Response
Round Two
At this point, budget restrictions forced us to downsize our building from 30,000 square feet to roughly 25,000 square feet. To avoid giving up a substantial amount of wall surface, we reevaluated the layout and pushed for a steeper central lead feature; our desire for ever steeper terrain became a running joke throughout the design process. The modified layout was a blessing in disguise. Our World Cup Wall received significantly improved viewing angles and hid many of the columns in the building. There is more room for spectators and mingling amongst sport climbers and boulderers. The corridor in the bouldering area is less than ideal, but it is the best way to combine maximum wall space while maintaining traffic flow.
downsized_modified
Sketch Up model

Designing the Lead Wall

Satisfied with the general layout, we narrowed our focus to the individual elements. Our main concerns centered around our major bouldering features and our primary lead feature. Nicole had a clear vision of what the lead feature should be, which entailed a swelling wall that increased in steepness from left to right. We wanted it to resemble a crag straight out of France or the Red River Gorge. To make such a swell possible we had to decide if we would be content with making the lead wall out of fiberglass. Although complex shapes can be formed with fiberglass, fiberglass also has its limitations including cost, the inability to use sizable volumes due to its complex, uneven surface, the tendency of big holds to spin and an added difficulty in set-screw use. What we really wanted was plywood and pushed hard for complex curvature with the material. Our lead designer was confident that we could pull off what we were looking for with their 2D Curves product. Before final approval, the engineers and production team would need to agree to this use. Following a week or so of waiting, the engineers confirmed that such a swell could be constructed out of plywood. The important piece of information to remember when working with the Walltopia’s 2D curves system is that a flat panel must be employed to connect the adjoining structure. All along we had stressed our inclination for gradual transitions, but that wouldn’t be an option in this case. Our designers had mentioned either mirroring the swell or building the inverse of it on the right side. When they felt strongly about a feature, we tended to allow them to draw it up before we made a decision. It also gave us time to think about what we might choose instead. We wanted the climbing to be varied, and we also needed to make sure that using more curved plywood in this element didn’t push us over budget.
Mail lead wall
Mail lead wall
After more collaboration the main feature of the lead wall was complete so we began to toy with top rope walls around it. We worked hard to decipher the kinds of wall shapes and angles that would meld seamlessly with the huge swell, imparting a feel as if it was all one continuous crag. We absolutely loved climbing in the south of France at a little cliff called Buoux; an uninterrupted limestone cliff line comprised predominately of small bulges and rooflets. The nature of the climbing would blend well, but be less intimidating. Our design tenet has been ‘no boring walls,’ so we fought hard for awesome easy terrain. We added an articulated wall that would vary greatly from the swell, it would be an excellent learning tool for less advanced climbers by teaching them to rest in the less overhanging terrain, and since it was geometric, giant volumes could be used. It also created a sharp arête that we have become quite attached to.

Boulders

Our boulders had been left virtually untouched during all this back and forth about the roped climbing area. As we turned our attention to this area, each suggested bouldering feature was developed and placed in a sequence that would provide gentle transitions. We specified the World Cup features first and arranged them in typical World Cup format, where sharp angle changes are common between elements. This arrangement will let us host amazing onsight competitions, a crucial part of our mission. We wanted the remainder of the bouldering space to be more organic and provide flow between faces. We drew up elements we had seen in places like Bishop and Rocktown. We included a small subset of features we thought were eye catching from other facilities.
Walltopia proceeded to send us four models, all with minor variations in the bouldering.
Multiple iterations of the bouldering area
Around the time the bouldering corridor was starting to take shape, we were informed that a 5′ egress was required between pads for Kentucky’s ADA compliance. We were forced to cut back on some of the steepest features and had to be very careful in their arrangement going forward. Although the timing was mildly inconvenient, we were relieved to catch it. The egress also improved traffic patterns and created a designated zone for bystanders.
Bouldering area
Bouldering area

A Professional Opinion

In spite of the progress we had made, we still felt that the bouldering area was a bit of a mess. Some of the bouldering walls were too busy; the concepts were blending together and not creating the well considered variety we were going for. Our technical space was cramped and poorly placed. Some of the problems could be solved easily, but we wanted to move in a direction that created more overall harmony in the bouldering space. Nicole and I discussed what we needed to do to move forward, and decided that it was time to have someone else take a look. We had already established a relationship with professional route setter and international consultant Tonde Katiyo, so we brought him in to review the terrain. This got a new set of eyes on the project and gave us a review that was based on our program goals. Tonde was mindful of our major objectives and the flavor of our design; he knew that we wanted terrain that allowed for superb climbing of all styles, to reward skill driven climbers, and to provide engaging climbs for people of all skill levels and body types. A quality of Tonde is that he rarely suggests a precise solution to a problem. He makes observations, asks questions, and allows you to take your own direction. He echoed our concerns about particular areas and left it up to us to resolve them in a way that would remain true to our vision. As we chatted with Tonde, we jotted down ideas that came to mind and made note of concerns. Overall, the goal coming out of the review was the same as that going in. We would need to simplify the whole gym through the rearrangement and elimination of superfluous elements. In the rope areas we were initially shy of dihedrals and arêtes, but Tonde helped us to toss our inhibitions and permit them in various sizes and shapes. The new terrain has a lot more character, is friendlier to an expansive group of climbers, and meshes better. In the bouldering area, we cut out awkward faces and redundancies. We even chopped off the end of the peninsula boulder to improve traffic flow. Many of the features and transitions were totally redesigned now that each had a specific purpose. Tonde sent us a photo of a subtle arête from Japan and we started to look at other facilities and found some great concepts to work with.
Japanese influenced bouldering wall.
World Cup-style bouldering wall
Tonde’s European background was invaluable when it came to the World Cup portion of our bouldering terrain. We are steep junkies and made the mistake of incorporating an inordinate amount of extreme bouldering. We focused on supplementing all of the bouldering with technical terrain, especially the World Cup portion. By reducing the sheer number of elements, we were able to treat the transitions as separate faces and give them a value of their own. Although we cut back on square footage, we optimized our terrain by regarding every single panel, even the transition panels, as viable wall space, not merely a means to connect faces.

Getting What We Wanted

We found the whole design process to be long, but enjoyable. Our desires were very specific; we weren’t willing to compromise on the quality of any of the features. We’re aware that we took some big risks with the design of this facility, but we needed it to be a bit unusual to meet our program goals. We didn’t want to take the risk of opening a large climbing facility in Lexington without making it the gym we have always wanted to experience. It certainly has its own character, and we are incredibly proud of it. From Lexington is a CBJ original series written by Chris Shotwell about the trials and tribulations of opening the L’Escalade Climbing in Lexington, Kentucky.